#also no credit for me in the video itself but they do link it in the description which was nice of them | Explore Tumblr posts and blogs

sleepanonymous · 2 months ago

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i saw in a passing comment somewhere, i believe it was on a video of iv’s vocals in rain, someone said he previously did harsh vocals in another band and my brain.. oof. if that is indeed true i wish there was a way to listen to them without things being spoiled. but for right now if the closest we get to appreciating his growls are from rain, vore and tmbte we are blessed. and the antIVist performance, never forget 🙏🏻 that one altered my brain chemistry in the best way

I’m feeling ballsy today, I guess, so I’m gonna answer this one. Under the cut though, so people can scroll past if they wish 🖤

Okay Anon, ty for bringing this up because I’ve wanted to talk about this forever. It’s likely, of all the band's he's been part of, that the comment you saw was talking about an EP IV made with a total of five members from two other bands, one being Wilderness. (UK) and the other being another band that IV was a tech/guitarist for.

This group called themselves Mourn, and IV was the vocalist. They unfortunately only released four songs on an EP titled The Next Life. Mourn’s genre was metalcore, and they described themselves as delivering “a powerful sonic experience of crushing instrumentals, vicious vocals and relentless energy.” The lyrics have a heavily religious undertone, backed by the The Next Life’s artwork being a distorted rendition of the Annibale Carracci painting Christ Crowned with Thorns.

It’s unclear exactly who wrote what for Mourn, as all five members are listed as composers. There are also no credits to a producer, so the EP may have been produced by one or multiple band members as well. In Wilderness. (UK), Mourn’s bassist is credited as the lyricists, and Mourn’s drummer is credited as the recording, mixing, and mastering engineer. In a playthru video on the band’s YouTube channel, IV is the lead vocalist and he is backed up by the bassist (he’s definitely been working on breath control and stamina, compared to some recent videos of his screams in Rain). I was thinking about taking the Full Band playthrough on YouTube and editing IV out, but I have no energy for that 😅 I do have the ripped MP3 in the Lost Media folder, if you want to give it a listen.

The Next Life EP was released September 3, 2021, just a few weeks before TPWBYT. The band was only set to have played one live show, in February of 2022 supporting Decapitated, but it’s possible the band dropped out or the show itself was canceled. All I could find online for the date were some news articles/Facebook posts from the announcement but no photos or videos from the actual concert for any band listed on the bill.

It's theorized by fans that this band dissolved after IV left to focus solely on Sleep Token, but I’m not entirely sure that’s the case, or the sole reason. The first tour Sleep Token did in 2022 began in August, and the last tour they did ended in November 2021, so it’s not exactly like IV would have been incapable of performing with both bands. It wouldn’t be the only instance of one of the members of Sleep Token performing in multiple projects at one time.

I’m not confident enough to upload the music onto Tumblr, but I’ll happily share the band name and YouTube/Spotify links with anyone who asks. I ended up compiling the lyrics to the four songs on the EP in a Google Doc a while back for a fan who wanted to avoid IV’s name (since his name and face are plastered onto this band). Also, there were two posts from last month (? maybe September) that brought this band up, and I’m pretty certain they both had audio attached. Unfortunately, I could only find @kaddyssammlung's post for one song, and its the studio version of the same song I added to the Lost Media folder.

If anyone can direct me to the second post, please do so and I will link it here 🖤

I’ll leave you with this gem of a photograph from the band’s Facebook page. Man loves his hoodies and sneakers istg.

#anon asks #sleepanon answers #uhhh idk how to tag this?#since it's technically not lost media #but i also don't want this in the main st tag lol

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fruitcoops · 1 year ago

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Opening your page always reminds me of Jules- and we haven't seen him in a while!! Can he come back in one of your fics soon ?

Jules <3 Always a legend, always beloved here. Character credit goes to @lumosinlove, Hattie belongs to me, and the cinnamon roll recipe is lifted directly from this video by Claire Saffitz on the NYT channel! Bon appetit!

“Hello MTV, and welcome to my crib.” Remus paused, then turned to Julian. “Do you understand that reference?”

“No.”

“That’s so depressing. Why are you so young?”

“Why are you so old?”

Remus wrinkled his nose and turned back to the camera. “Welcome to a new installment of Lion Pride’s baking series. I’m Remus Lupin, and I’m here today with my little brother to make everyone’s favorite breakfast food—”

“Pancakes.”

“—cinnamon rolls.” Remus frowned down at where his brother was kneeling on a stool and rocking gently back and forth. “You knew that. We practiced.”

Julian arched a brow at him. “My favorite breakfast food isn’t cinnamon rolls.”

“Not everything is about you.” A light poke to his forehead made Julian stick his tongue out. Remus stifled a smile. “You ready?”

“To eat a spoonful of icing? Duh.”

“We’ll get there eventually.” Remus pulled a large ceramic bowl from the collection of dishware to his left; the pattern was faded around the rim from years of use, but the bowl itself was shiny and clearly cared-for. “Alright,” he began. “I’m not a huge baker, but Jules and I grew up with Saturday cinnamon rolls, so this is a bit of a family recipe. Someone is probably going to type it up for you guys since my handwriting is iffy—”

“Literally unreadable,” Julian coughed.

“Shut up. The recipe will be somewhere on the Lion Pride website, or linked in the description below. In the meantime, we’re going to do a step-by-step demonstration for anyone who would like to try this at home. Milk?”

Julian passed the half-gallon over before looking to the camera. “This recipe is also going to be on our mom’s Instagram, if you look up ‘baking with Hope’. All one word, no caps.”

Remus snorted as he measured the milk into a pan waiting on the stovetop. “Nice. Love the shameless plug.”

“I made a bet with Dad that she’d have more followers than you by the end of the year.”

“Of course you did.” Remus shook his head, but it was more fond than anything. “We’re measuring a cup of milk into a pot on the stove, and then we’re going to warm it up until there are tiny bubbles on the sides.”

“That’s called a simmer, for anyone watching,” Julian informed the camera.

“It’s called bubbles, for the rest of us plebians.”

“What’s a plebian?”

“You.” Remus took a whisk from a small bowl on the side and stirred gently. “Timing for this step kind of depends on your stove, so just keep an eye out and make sure it doesn’t burn. We’re going to keep the milk at the small bubble stage—”

“Simmering.”

“—for….a minute? Ish?” He shrugged. “Until it steams. Then we’ll turn the heat off and measure out a third of a cup.”

Julian pushed his elbows onto the countertop, leaning over to watch. “You should tell the people we’re doing this at night.”

“What? Oh, yeah, this is an overnight thing. It’s currently…” Remus squinted to something off-screen. “Just before eight in the evening. We’re going to let the dough rest overnight, then finish in the morning.”

“We’re staying over for the P-L-A-Y-O-F-F’s,” Julian said. They reached down to knock on the cabinets in unison with near-identical grins.

“We deserve some cinnamon rolls.”

“Hell yeah.”

“Ew, don’t swear on camera.”

“That’s not swearing.”

Remus raised his eyebrows and gave a threatening shake of the whisk. “If you drop a swear word right now, I’m hitting you with this. That’s a promise.”

“You’re the one that taught me all the swear words!”

“So not true.” Remus stirred the milk once more, tapping the whisk gently on the side of the pot. “Dad is responsible for at least half. Okay, this has been bubbling for a little while, so I’m going to turn the heat off and pour about a third of a cup into the bowl over here. Then Jules is going to add some flour to the main pot and give it a stir.”

Julian took the whisk from him with unbridled glee and dumped the flour in; Remus held the pot handle for him while he mixed, still leaning on the countertop to adjust for height. “It’s getting thicker,” Julian noted with a glance at the camera. “It’s kinda like…paste? Or Nutella.”

Remus’ mouth twitched with a smile. “Nutella is a paste.”

“Nutella is a butter.”

“It’s literally hazelnut and chocolate paste.”

“Butter is just milk paste.”

“That’s the worst thing you’ve ever said to me,” Remus laughed. “God. Okay. Once your milk and flour looks thick like this, you’re going to add it to the big bowl with the other milk in it and add some cold water so your rolls aren’t messed up.”

“That was so scientific,” Julian said dryly.

“This is a lot of criticism from a kid that doesn’t even like cinnamon rolls.”

“I like them. They’re just not my favorite.”

“Then you’re lame, and I don’t want to hear it.” Remus clapped his hands on either side of the bowl and looked into the lens. “Wow, this is going to take forever. I’m not a baker. Bear with me. We’re adding three eggs to the bowl and whisking that, which I’m going to do because I don’t trust people under the age of twelve with raw egg.”

Julian narrowed his eyes. “I’m coming back here in three days and cracking very egg you own.”

Remus smiled. “Happy almost-birthday. Anyway, the bowl is mostly cool now, so we’re going to add all that flour in here—yep, thanks, bud—and then a half-packet of yeast so it gets fluffy.”

“Why isn’t Sirius doing this? He’s better at baking than you are.”

“Wow.”

“He is!”

“You’re not getting a single bite of this frosting.”

“Don’t hide from the truth.”

Remus shook his head at the camera. “This was supposed to be a cute family bonding video. I’m going to mix this now, because apparently I suck at any kind of baking more complicated than that.”

“I didn’t say that, I just asked why Sirius isn’t doing the stuff he likes doing.”

Remus turned the hand-mixer to a lower, quieter setting and rested his hip against the edge of the counter. “How often does Sirius voluntarily get in front of a camera?”

Julian inhaled, then faltered with a grimace. “Hmm. Yeah. Never mind. He’s still better at it than you are.”

“You’re still not getting frosting.” Remus clicked the mixer a notch higher. “We’re keeping this at a pretty low setting so the dough stays soft, and we’re only going to let it run until the dough is one big lump. Now that that’s together, we’re turning the mixer off and covering the bowl with a towel for about five minutes while we get our sugar, salt, and softened butter ready.”

The camera cut briefly; when it returned, Julian was scraping fine crystals off the countertop into a towel Remus was holding over the edge. “Slight problem,” Julian said through a laugh. “Uh, we got a little bit excited about the sugar.”

“Oh, god, it’s getting all over the floor—” Remus straightened slightly and whistled. “Hattie! Treats!”

The house was silent for a moment before the sound of skittering paws reached the camera. Both Remus and Julian broke into wide grins, and Julian dusted his hands onto the floor so he could reach down and pet the pointed ears just barely visible over the counter edge. “Hi, baby,” he cooed, leaning over until he was mostly out of frame. “Aw, little vacuum cleaner. Is sugar bad for dogs?”

“She has eaten so much worse.” The inky tip of Hattie’s tail was the happiest metronome in the world while Remus dumped a small container of salt and sugar into the dough. “We’re going to blend this until the dough gets stretchy instead of lumpy, still on low speed, and—hi, honey, I don’t have anything in my pockets. I promise. No, you can’t eat my keys. There’s definitely still some stuff on the floor for you, though.”

A black nose appeared by Julian’s knee and he giggled as it wandered down the side of his pants, honing in on each pocket. Hattie sneezed when she reached his sock and gave the hem of his pantleg a light nibble. Julian beamed up at Remus. “Can I bring her home with me?”

“If you steal my dog, I’m donating you to Goodwill. Okay, this is going to go for about twenty minutes and they’re definitely going to speed that up in editing, so here’s the rundown: mix this for 20 minutes, add your butter in tablespoon chunks, mix it until the dough is soft, then let it sit on your counter for an hour before putting it in the fridge.”

“Why don’t we just put it right in the fridge?”

“Because the yeast would die.”

Julian’s eyes went wide. “Yeast is alive?”

The kitchen was much brighter when the video returned—the new camera angle allowed sunlight to stream in through the side window unhindered, as well as giving an unobstructed view of Hattie on the floor by Remus’ slipper-clad feet. Her yawn squeaked, pink tongue lolling, but her full attention was fixed on the activity above.

“It’s about eight in the morning now, hence the pajamas,” Remus informed the camera. “I took the dough out of the fridge about ten minutes ago, and you can see it’s close to doubled in size.”

Julian gave the bowl a mournful look. The cowlick on the side of his head matched Remus’ with frightening accuracy. “How long is this going to take?”

“You can go back to sleep once it goes in the oven. We’re going to do the filling right now, though.” Remus held a hand out; Julian passed him a crinkly plastic cracker sleeve. “These are airplane cookies. Or biscotti, or whatever the fancy name is. They have cinnamon roll spices in them because I’m too lazy to track down all the individual bottles from the spice cabinet this early. You can probably find them in the recipe. I don’t know. You can crush them in a food processor if you want to wake up your entire family, or you can just use a rolling pin.”

Remus set the sleeve of cookies on the countertop and handed over the rolling pin—one half-started “wait” and an enormous THUD later, both of them were frozen, staring at the ruptured end of the plastic sleeve where shards of cinnamon cookie had burst forth.

“Oops,” Julian whispered.

“Or,” Remus began. “You can give your little brother a rolling pin and kill two birds with one stone.”

“…my bad.”

Remus glanced at the ceiling. They were silent for a handful of seconds. “Honestly, dude, I don’t think anyone noticed.”

Julian muffled a laugh in the crook of his elbow and Remus turned away for a moment to compose himself, filling the kitchen with quiet snickering as Hattie cleaned up the few crumbs that had fallen onto the floor by her paws. Finally, Julian picked up the rolling pin and began gingerly crushing the rest of the cookies. “I’m gonna keep going until it’s kinda powdery, I think.”

“Good plan.” Remus shot a quick, small smile at the camera while he watched Julian work, brow creasing with the effort. “We’ve got a stick and a half of soft butter here when you’re ready.”

It didn’t take long; Julian carefully poured the crushed cookie into a bowl and folded the butter through with a faintly rainbow-tinted spatula. Remus took a pan from the ever-shrinking pile of dishes beside them and lined it with parchment paper, ripping the edges so they would fold nicely in the corners.

“Kay.” Julian tilted his head at the filling and nodded. “It’s smooth.”

“Sick. Scootch over, I’ll roll this out.” Remus tossed a small handful of flour onto the countertop before dumping the dough out, dropping a playful elbow to Julian’s side. “Ope, sorry.”

“You’re so mean to me.”

“Whatever. We’re going to make this into a rectangle so it’s easier, and it should be fine for rolling because it was in the fridge all night. I’m going to flatten this until it’ll fit in the pan. It’ll be…an inch thick? Half an inch, maybe? And then Jules, you’re gonna spread the filling over it.”

Julian frowned. “We’re cooking it flat?”

“What? Why would we do that?”

“You said it should be the length of the pan.”

“Yeah, so that all the pieces will fit.”

“Oh. That makes more sense.”

“We’re not making cinnamon pita.”

Julian tipped his head back and forth. “Doesn’t sound bad, actually.”

“You’re eleven, you’re basically a garbage disposal.”

“I’m basically twelve.”

“Three days.”

“Ugh, you’re so annoying.”

Despite the back-and-forth, Julian tucked himself close to Remus’ side while Remus rolled the dough into an even rectangle, and spread the filling across it with intense focus. “Leave a little space on the sides to roll it up,” Remus suggested gently. Julian’s tongue poked out at the corner as he scraped the edge clean and gave a last sweep with the spatula before leaning away.

“Good?”

“Perfect.” Remus loosened the edge closest to him and began to roll it up with steady, methodical hands. “You want to go slow with this part, or else it won’t spiral. And once we get it to the end here, we’re going make sure it’s all nice and even before cutting. Uh, I’m using unflavored dental floss right now because that’s what I have, but you can use string or whatever. If you use a knife, you might squish the inside and get a wonky shape.”

“Dad uses fishing line.”

“Mhmm.” Their concentrated frowns matched while Remus slid the floss beneath the roll and wrapped it around, allowing the floss to slice cleanly through the dough. Julian buried a yawn in Remus’ shoulder and gave a slow, sleepy blink. Once the rolls were cut, they filled the parchment-lined pan to the edges. Remus cracked his knuckles and looked up at the camera. “We’re going to take a quick breakfast break while these double in size, and I’ll put them in the oven at 350 degrees for 15 minutes after that. We’ll see you for the frosting!”

“Your TV voice is weird.”

“Your TV voice is weird,” Remus mimicked, prodding him until Julian hopped off his stool with a laugh. “Go eat your Cheerios.”

The video sped through their break—Remus collected a few items from the fridge and returned to the counter to mix a handful of ingredients into a bowl. The pan steamed, the coffeepot bubbled, and Hattie waited dutifully by his side for her allotted bits of ham, hand-fed alongside a few Cheerios from Julian. The rolls went in and came out without a fuss as Remus finished the scramble and smiled to someone off-screen.

“Frosting,” he announced when the video returned to normal speed. “Super easy. Cream cheese, powdered sugar, vanilla. Mix it up, then add a stick of butter, because this recipe is delicious and also personally clogs your arteries. Jules, touch the rolls for me.”

“Why?”

“To check if they’re cooled down.”

“But they might be hot.”

“Right, which is why I’m making you do it.”

Julian scrunched his nose at him, but gave the rolls a tentative poke. “They’re fine.”

“Sweet.” Remus tugged the pan to the middle of their workspace and scooped a lump of frosting into the center. Overall, it kept its shape as he slathered it to each edge and corner. Julian gave an expectant look; Remus paused, but scraped the last bits off the sides of the bowl and handed the laden spatula to him with an affectionate roll of his eyes. “Don’t tell mom.”

“Wouldn’t dream of it,” Jules said around a mouthful of thick sugar.

Remus pushed the rolls toward the camera with a smile that dimpled one cheek. “That’s all for today, folks. Hope you enjoyed making cinnamon rolls with us, or at least enjoyed seeing the real star of the show—”

“Me.”

“—Hattie. Make sure to tune in for our home game in Gryff tomorrow night!"

#remus lupin #julian lupin #hattie #sweater weather #vaincre #lumosinlove #my fic #fanfic #social media #baking #lion pride #fluff

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ranticore · 9 months ago

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Chapter 3 - To Be Phocid [Qedivar's research]

It's that time again. Ishmael is a teenage boy, fair warning.

I'm posting this on mobile so I cba linking the previous chapters but go into the siren tag to find them.

Following these events, and at Maris’s insistence, Ishmael began to keep a journal. To the delight of this author, his writing was deep, introspective, and highly detailed. From now on, I no longer had to rely on pieced together scraps and reports, but from a primary source. As such, the way these events are related will shift a little, but that is only for events concerning Ishmael.

Cherta, unfortunately, did not keep a journal at this time and remains frustratingly opaque, given Ishmael’s somewhat biased recounting of their activities. Although one must concede to the difficulties of keeping a journal underwater, before the age of sub-aquatic writing systems, and with eighteen other overambitious adolescents in relatively close proximity.

Ishmael’s journal was recorded on a computerified device and was not written by hand, though his deep dream education had serviced to educate him in handwriting skills. This was tested when he was younger, as part of an evaluation to determine the extent of his dexterity. Although the notion of a form of writing which is stored in a purely hypothetical space is very odd, especially in its permanency, it has enabled us to access his thoughts at this day and age, whereas traditional aquatic knot-writing would have long since rotted away.

He wrote in the language of the Predecessors, which I believe to be the root of all air-speaking language families. The translation of these texts is what has taxed me more than any other part of this process, aside from the grievous bodily harm, and it has taken a fantastic span of time to achieve this translation. I cannot credit my sources for fear of implicating them but you can be assured that the finest minds of the Spire collaborated on this project. This Predecessor tongue is what is spoken in all of the videos, enabling me to learn it to a conversational level, though I am hardly fluent.

Some of the journal is rendered untranslatable due to it referring to objects or concepts which were considered common knowledge at the time, requiring no additional definition. These concepts or objects will be clearly marked. However, I believe much of the text to be familiar to many people, telling of the frustration and longing common and recognisable today. That said, I believe it is also important not to take for granted the relatability.

Ishmael is not always familiar to us and existed in a time we would find nigh incomprehensible. Do not take this as reason to doubt his interiority or personhood, and do not fall into the trap of believing that you would have done better in his place, that you would have seen clearly what he obviously did not (and had good reason not to). They may have been phocids, or the predecessors of phocids, but they were new. If you were the first of your kind, could you do better?

I will now present the text in chronological order, starting from the eve of his sixteenth birthday:

Entry 1 – I hate seeing that baby siphonid. It’s still moving. It drags itself around on the leg the researchers didn’t take. Now I’m just going to remember this forever, since I wrote it down. Great. I hate that fucking noise. Why can’t they just get it to shut up?

Thank [deity]. They took it away.

Update – it didn’t even taste good.

Entry 2 - Maris told me to talk more about my feelings. What does she know? Nobody understands me anyway. I don’t think they can feel all that on their face like me. The sipho noise kept touching me. The researchers are always talking about hydrofoils and antennae but I bet they don’t know what I do - how the siphos talk to each other. I told Callum and he didn’t know what I meant, even though he has a beard.

Talked to Lee again about sex since Dan said he wouldn’t tell me himself. I don’t think Lee told the truth about a lot of that stuff. The other kids sometimes joke around a bit too much, but it is kinda funny I guess.

Update - Dan shouted at me for asking, but now I have proof Lee was wrong.

Entry 3 – The phocids click at each other underwater with their tongues.

Dan got so angry after I pulled my face hair out. He made the interns [untranslatable] search my room for the hairs and they actually found them. They didn’t even do anything with it, just put it in a bag and sealed it away. Looks like nobody wants it at all. Dan says Atom spent 120 billion nua making me, so I think one face hair is worth a few million. If I started selling them to the people outside the lab, I could buy my own stake of land on Siren just like them. I wouldn’t let Lee in. My fingers are probably worth a couple billion each.

Should I

Entry 4 – Emer (the intern) looked at me like I did something wrong when she changed my pillowcases.

Spilled bile EVERYWHERE when they were testing me. I keep thinking about somehow saving it and trying to sell it. I’m supposed to be a digestive model for Siren food, so my insides are probably worth a lot. I should ask Dan when he calms down.

Callum came around to talk to Dan again. He’s getting really tall, he’s taller than me now even when I stand up straight. He’s so skinny, like the baby siphonids (I can snap one in half with just my teeth now). When Callum was there, he didn’t want to look at me, but I get it. They didn’t even cook the siphonid this time, it was raw and with the shell on. His leg is the same width as one of them.

Emer won’t stop changing my pillowcases. Is there a way to prevent them from smelling like that?? Callum hasn’t been around so I can’t ask. Maris thinks it’s just because people my age start getting sweaty but Dan specifically told me he made me not have sweat glands anywhere but my hands. Then he said the phocids do have sweat glands. I still don’t get the point of sweating if you’re already a stupid wet rat who lives in the

Entry 5 – I’m seventeen now. Since I’m an adult, I decided to stop being reticent around the phocids. I want to know if they found a comfortable way to walk without the skin coming off their tails. So I went to talk to them today for the first time. There is a window where you can do it, they let it open ever since the climate control got busted again last month.

Cherta is really weird. I knew they couldn’t stay in the pool for very long because they might have a seizure but apparently it can happen any time, not just underwater. They have a button implant that makes their muscles relax. Anyway, their tails have thicker skin than mine so that was useless. But it is still worthwhile, I think, to meet with the phocids. They remind me why I am a human, and they are not. I kind of pity them because all they're ever going to be is a bunch of test subjects in a tiny swimming pool.

Cherta told me that one of the phocids died a year ago. I don’t remember Dan ever talking about it to me, but they said it was a big deal. Apparently they got pressure sickness when climate control broke the first time. I think Cherta broke it the second time, they sounded too proud to mention it. I don’t get it. Anyway, breaking stuff in the lab is against the rules and I think I’m going to tell Dan about that.

Entry 6 – I made the right choice. Cherta got so angry when they found out I told on them that they had another seizure. The other phocids had to pull them out of the pool. Dan thought I did the right thing but I don’t think he liked me going to tell Cherta about it afterwards, told me no one likes a snitch. Well, then, what am I supposed to do? Just let it happen? I hope Cherta chokes on that gross pool water next time.

Dan suggested I go do something other than visit the phocids and I agree, they’re clearly not worth my time. I went to see Callum instead but he wasn’t in. He has a games console, I saw him show it off to Lee the other day. I wonder if he’d let me try it.

[End of Journal Entries]

It paints an interesting picture. As Ishmael mentions, Cherta suffered permanent neurological issues as a result of their birth mishaps. This was a point of contention within the lab, beyond Ishmael’s knowledge; the finance manager of the settlement questioned the wisdom of keeping a test subject in an aquatic locomotion study group who could not spend much time underwater. Every time, however, Dan Loris would respond that Cherta now provided essential information about phocid neurology and drowning mechanisms.

The phocid whose death Ishmael mentions was number seventeen, Ambla. It is highly likely that number seventeen’s death was accidental, but the circumstances were not caused by a failure of the lab’s climate system.

I have found the experimental notes from that day; Ambla was brought to an isolated chamber which was controlled by the climate system, with its own test pool, and the quality of the atmosphere was changed to match that of the Precursor home planet. The force of gravity was thus increased. What the Humans did not expect was Ambla’s sudden inability to swim to the surface. They inhaled water, which settled in their lungs and caused them to drown even after they had been pulled out of the pool.

Dan expressed grief in his notes, and surprise. He did not understand why such a thing would occur and blamed the climate system for somehow altering the test beyond his parameters. This is likely what led to Cherta’s misconception that the climate system had killed one of their friends, and their subsequent sabotage of the climate system every few months after that.

But any phocid or selkie reading this will intimately recognise the problem, and I believe the mystery of Ambla’s death may now be solved. The water taken to fill the pool was likely Tel!am’s Blood, a phenomenon all sea-faring people will know about. The Precursors, it seemed, were unfamiliar with it, and had pumped water in to the pool which nobody could swim in. But with the increased gravity, even the fittest phocid would struggle to rise in shallow water.

Regardless, there exists a substantial gap between that last journal entry and the next. Almost a year, in fact, when Ishmael did not write at all, and neither did he participate in Maris’s therapy sessions. I do, however, have a copy of Callum’s journal with me which provides at least half of the narrative, incomplete as it is.

#setting: siren #writing tag

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jokeroutsubs · 4 months ago

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[ENG SUB]: JokerOutSubs x RADIOaktivno collab: Joker Out - Gola

Audio + CC link here

To celebrate 5 years since the release of 'Gola', we translated this piece from that time. Once again, heartfelt thanks to Boštjan Najžar from RADIOaktivno podcast (Facebook, YouTube), for collaborating with us once again. Check out our previous collaborations with him, such as 'Umazane misli' and 'Demoni' album presentations, as well as the 'Šta bih ja' single presentation.

Credits: Transcript and translation by @chaosofsmarty, review by @weolucbasu, proofread by @flowerlotus8 and IG gboleyn123, subtitles by a member of JokerOutSubs.

Transcript below the cut 👇

'Omamljeno telo'

Host: 'Omamljeno telo', by the band Joker Out, on the show RADIOAktivno, Bojan is with me. Hello!

Bojan: Hello! Hi!

Bojan, three years on the music scene, three singles.

Bojan: Yes. The number isn't very high yet, I'll say, but given the fact we've had a half a year long creative break, it's not that bad either. With this new single now, 'Gola', we're sort of announcing a great beginning to our new story.

You've gained a fair amount of stage mileage in that time.

Bojan: Yes, that's true. Given that we didn't record much, we've played a lot more because of that, we actually played all over Slovenia. We played quite a lot of big stages, we were the opening act for the biggest bands, so we're pretty happy with that.

Now that you've gained stage mileage, will it be any easier in the studio?

Bojan: Yes, it's definitely easier in the studio. Somewhat more important than the mileage is the fact that everyone has developed a certain sound as an individual, and the feeling that we then chase in the studio itself, and each one individually gives their own flavour to our music, to create this one special whole.

Are you also announcing a debut for next year?

Bojan: Yes, that's true. Next spring, our first album will be released.

The current single, titled 'Gola', will certainly be a part of it.

Bojan: That's right.

And it's a modern rock song.

Bojan: Yes, a modern rock song. Compared to 'Omamljeno telo', which we listened to earlier, it's a little less rock'n'roll-oriented. We kind of tried to modernise our music a little bit more, however, it's true that a more modern approach is also what we've grown into right now, and it's what suits us.

Maybe a few more electronic rhythms as well?

Bojan: Yes, we decided on, I'd say, a disco groove, but in fact, the decision wasn't forced, it came very naturally with the song, I'd say.

You've also made a music video for the song?

Bojan: That's right, for the video, we decided to go all in, all or nothing, we chose a phenomenal producer, Mark Pirc, who understood our story very well, identified with us, and I think he showed that very well in the video, because it's really at a high, high level and we couldn't be more satisfied.

Which of you five still knows how to drive a Ford Taunus?

Bojan: Yes, we'd all like to drive a Ford, but right now we're riding bicycles more. Because it's already an old-timer.

It's already an old-timer, yes. Listeners can also watch the video on YouTube. This conversation will also move there soon, but now we'll play the song on air, so Bojan, the mic is yours to send her on her way.

Bojan: Yes, so, 'Gola' is our latest single, the beginning of our musical journey, our musical vision. I hope you like it, and if you do, follow it up by viewing it on YouTube, on streaming platforms, and hopefully I'll definitely see you at one of our concerts.

'Gola'

#joker out #jokeroutsubs #bojan cvjetićanin #bojan cvjeticanin #youtube #jos: collaboration #jokeroutsubs x radioaktivno #type: video #year: 2019 #jo: bojan solo #og language: slovenian #type: transcript #source: radioaktivno

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worldsbiggestnerd101 · 10 months ago

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ok so seeing as all the recent hype has drawn in a new audience for welcome home (and seeing that many of my followers are probably clueless as to what the hell i’ve been posting about) i’ve decided to make a masterlist of sorts! basically, this is a sort of guide to welcome home for anyone new who may potentially wanna get into it!

my first major resource is @/nick-nocturne’s videos on the website. i’ll link them in order here since they do go in chronological order of site updates.

videos:

Welcome Home: A Perfectly Innocent Lost Puppet Show!

Welcome Home: Viewer Discoveries Stream!

Welcome Home: Part 2 Update

Welcome Home: The Halloween Update

i’ll add the video on the newest update once it releases, but the stream is up on twitch.tv/nick-nocturne

the second and most obvious resource to include here is the welcome home website itself! this’ll take you right into the colorful world of welcome home and let you explore the website and its secrets for yourself. the second link i’ll put here is the credits page with all the appropriate warnings to let you know what you’re getting yourself into and all the credits to anyone who worked on the project.

website:

Welcome Home

From Me to You

i’ll also include the link to the newfound secrets on this website that you can choose to skip over if you’d rather find everything for yourself. find it here

that’s all for now folks! thanks for reading and don’t forget to wave up high!

#em rambles #welcome home #this was completely unnecessary but i did it anyway

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worshipper-status · 9 months ago

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Literally so happy because my God is actually excepting of my obsession, but I’d kinda like to know how to worship him better less directly? (Ie. tips on digital alters/general worship tips?)

An excuse to ramble! Thank you :D

Worshipper's Guide to Indirect Worship

This is going to be my sfw guide for less direct methods of contact and digital altars, I may make an nsfw guide at some point on my own as a counterpart to this but for now...

(long post below)

Digital Shrines

Digital shrines are a good format for indirect worship, because you can curate it from anywhere, and no one will know. Technically I have two digital altars but one is more a back up of the other. One is I have a folder on my computer that contains all the media of the shrine, and the shrine itself is on my personal discord server. Usually I separate the shrine itself into media, devotionals, personal devotionals, writings, and links by using different discord channels. The channels breakdown like this for me:

Media: photos and videos of solely them

Devotionals: images I find on the internet that I feel embody our relationship, media created by someone else. Also picrews usually

Personal Devotionals: Visual media I have personally made to embody our relationship and can take full credit for creating. (This is a specific folder I made just to keep my art and others art separate)

Writings: Poems, songs, rambles, gushing, fantasies, etc. Any thought you have about them that's important enough to write down, put it here.

Links: I use this as a dumping ground for ideas I got from articles, purchases I want to make, or anything that requires a link to something else but directly relates to my worship of My Goddess.

Tumblr can also be a general dumping grounds kind of shrine, where I would not be too honest tbh, but it's a start. I prefer keeping my shrines private for the most part. My general advice is to stay away from tumblr for everything because you're not going to feel 1000% comfortable expressing your worship to its full extent because of the possibility of it being found by strangers. Also some things are just tmi to be honest. I have writings in my folder documenting times me and My Goddess have banged in detail so I don't forget. Tumblr doesn't need that kind of detail on here. So try and keep shrines at least somewhat private for your own sake. People are dicks.

As for advice for things to do to worship indirectly (and this goes hand in hand with the shrine a little bit) here's a list with general advice and ideas:

Scrapbook/Junk Journal about them (I'm biased this is a personal favorite of mine). Get a notebook, some scrapbook supplies, and either dedicate it to photos of your beloved or journal about any time you guys interact in ways that feel meaningful to you! I keep one physical scrapbook that I use for collages for My Goddess's photos, and am planning to start a junk journal for more writing purposes. I'll probably solely be using it to write about personal interactions with My Goddess, and on slower days, things I love about Her in general. It's both kinda a traditional journal and a part of my obsessive behaviors. You can also do stuff like this digitally with moodboard and collage makers like Canva which have free options.

Document about them. This is kinda vague so I'll explain. As part of my shrine, I have a document I'm building dedicated to bullet note points about My Goddess. If She randomly drops a fact on me about Her childhood, or Her interests. I write it down there so I don't forget. I want to be a good worshipper so I want to be an expert in everything about Her. I usually use a note taking app for this that I can organize into subgroups. Notion is a favorite of mine (despite them selling their soul to the AI overlords sigh) because it allows a lot of creative freedom in organizing the documents AND it's linked to my email so I can't lose it. Obviously, a google doc will accomplish the exact same thing, however my entire personality type is best described as extra, so I have to do things with extra effort at all times.

Write for them. This is where my pagan background kicks in a little bit, but in certain pagan traditions, especially stuff like Hellenic Polytheism, writing hymns or poems or songs for the gods was very important to their practices. So why not write those things for your God? It doesn't need to be shared, it can be bad, it can be whatever it wants to be. What I usually do, is I write poems for My Goddess, and keep them in my junk journal or digital shrine, depending on if I'm working physically or digitally, and if I'm feeling brave I'll share it with Her, but most times, they stay hidden in the depths of my shrine stuff.

Biggest overall piece of advice, create for them. Nothing shows devotion, quite like the personal experience of making something for someone else even if they never see it. Honor the Gods with the act of Creation, ya know?? It doesn't even have to require you to be good at drawing or whatever. Are you someone who gardens? Name a plant after them. Like makeup? Figure out what makeup styles they prefer on your chosen gender and wear those all the time, even if they're not there to see. Sewing? Make a stuffed animal of them. Speed runs? Dedicate every run to them, create a record for them. It can be as big or as mundane as you want and none of it has to be outwardly expressed to the other person. Just dedicate whatever hobby you have to them, and suddenly you'll have tons of shrine material.

Now for the quick part, of this!

General Worship Tips! (These are more indirect tho)

When getting dressed, pick outfits you know they'll appreciate. (Just please don't sacrifice your personal style for this)

Capitalize their name/title no matter what. They deserve the respect of one extra button push.

Write letters, even if you live close, even if you see them everyday, and even if you never send them. Use this as a format to express your emotions unbarred.

Save every photo they send you of themselves. If you need to edit people out of the photo do it, but you better be saving every instance of themselves they give you.

Fill your space with things that express yourself yes, but also have stuff that reminds you of them. Do they have a favorite animal? Buy those kinds of stuffed animals. They say they like certain types of aesthetics? Put some of that decor in your space.

I don't paint my nails, but if you do, paint them their favorite color.

Have dedicated jewelry pieces for them. While My Goddess did not give it to me, I have a memory of them associated with a bracelet I wear every single day. You can just buy a piece of jewelry and assign it as a symbol to them. They don't have to know.

Interact with their interests, with passion. Do your best to care about everything they care about. It'll give you guys tons of stuff to do, and help you understand them better.

Make pinterest boards dedicated to certain moments you want i.e. first date, wedding, future house/apartment dreams, pets you want with them, nursery room ideas, etc.

Make playlists dedicated to them.

Alright that's all I really have for right now! I hope some of this advice has been helpful and at the very least legible lol. I hope everything with you and your God goes well! If you want any more advice do not be afraid to ask me more questions :)

#worshipper's oath #worshipper's answers #irl yandere #male yandere #yandere #obsessive love #obsessive love disorder #bpd yandere #yandere boy #obsessive thoughts #yandere community #yancore #yanblr #yanderecore #yandereblr #yandere coping #yandere tips #yandere male #boy yandere

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beautifulpersonpeach · 1 year ago

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A few days ago I responded to an ask, explaining that Korean K-pop stans overall are the more intense version of whatever you see on the international side, and that one way k-fans perceive international fans is that international k-pop stans are easier to manipulate and rile up.

For anyone who is aware of the subway scare and the supposed link to ARMY and BTS, pay very close attention to what’s happening right now as a case study demonstrating what I wrote, happening in real time.

As a quick overview:

1 - This happened about an hour before Yoongi’s live where he showed his tattoo

2 - About an hour after this happened, an ARMY coming back from Yoongi’s concert, watching his livestream on their way home, reacts to his tattoo by screaming while in the subway. They record themselves and post the video on Twitter. The tweet itself is deleted now so I can’t link it, but I’ll link the OG video in point 5.

3 - After that ARMY posted their reaction to Yoongi’s tattoo, this Korean k-pop stan claims a fan screamed next to them on the train and caused panic and a stampede. This account’s most recent activity is from 2022, but the first thing they tweet in 2023 is that an ARMY caused a stampede because of Yoongi. Okay.

4 - One of the followers of that account then retweets that account to post an edited version of the ARMY reaction video, blurring out the reaction on the train, and further linking the two events (1) an ARMY screaming about Yoongi, (2) a resulting stampede that needed police intervention. This video is then used as the basis for user posts and articles written on k-blogs which then get translated as user posts on Allkpop and Pannchoa.

5 - For reference, this is the OG video from that ARMY showing what actually happened on the train. Note how there’s no panic in the train.

***

Basically, two events separated by about an hour are conflated on purpose by linked anonymous accounts on the Korean side, quickly translated into English and spread on the international side through k-pop gossip blogs like Allkpop, which Korean soft media (blogs etc) then picks up and takes as further credit to the underlying claims, though those claims are false.

And voila, a scandal is born.

Now, this isn’t to say BTS, ARMY, and people affiliated with them never do anything wrong and can never have a legit scandal. For example, I think anybody screaming for no good reason in a packed subway train is an idiot and should face some kind of consequence if harm is caused. But that’s not what happened here. What that ARMY did was stupid but harm wasn’t caused and Korean antis instead used it as an opportunity to link BTS with an incident that happened an hour earlier.

Occasionally, some of you might’ve seen me write about ‘manufactured controversy’ before, usually in passing when discussing something else. I remember I’ve mentioned it a few times such as during Jimin’s missed insurance payments scandal, during Jungkook’s Itaewon scandal, and also Min Heejin re: NewJeans (after just 5 minutes of looking at the original claims in Korean. The only thing holding the majority of the claims against MHJ together is sheer willpower and vibes atp). Someone has also asked me about hate ‘slave rooms’ before (context was Twice attacked by slave room hate) and I responded that hate in Korea towards people in the k-pop industry, is incredibly organized and insidious. And the bigger the target, the bigger the fall and the bigger the payout.

Please keep that in mind when you read shit online. Keep your eyes open and your wits about you. Become more media literate and learn how to think for yourself. Seriously. Because in this machine called k-pop, nearly everything about it is designed to suck you in till you have no idea which way is up. Pay attention, please.

2026 is still a long way off and we’ll have many incidents like this before then.

Good luck everyone.

#bts #K-pop #kpop industry #kpop fandom #fandom behavior #fandom discourse #bts army #fandom behaviour

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weaselandfriends · 27 days ago

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Okay, the aformentioned second post:

1, In Cockatiel x Chameleon, there's no credits page, unlike with your other works. Do you have any list of chapter title credits somewhere? I'd be curious on that, I recognise a few of them.

2, In Chicago, you depict a group of magical girls plotting to overthrow the US government. As this was published in 2018-19, I assume you had access to depict Donald Trump as the sitting President, but you chose to set it during Obama's presidency instead. Any specifics reasons for that? Did you just want it to be in 2013-14 for other reasons and that was collateral?

3, I see you have read the Magical Girl Raising Project novels (and the anime, but I prefer the novels over the anime lmao). What are your thoughts on them? Which point have you gotten up to? Did you know that they're fully complete and released in official English now? I'm a big fan and they're pretty obscure overall when compared to other stuff, so I was surprised to see you cite them in one chapter title of yours.

4, Finally, do you have any solid plans for your next book after When I Win the World Ends?

Most of the chapter titles are original. Two, Me!Me!Me! and FOR THE LOVE OF GOD, are references, but those references are glossed within CxC itself by Gramme's footnotes. For the other chapter titles that are references:

Moneymoneymoneymoneymoneymotherfuckers is from this Aesop Rock song.

The two titles that start with "Harper goes to Hell" are modeled on the 1993 film Jason Goes to Hell: The Final Friday.

Entartete Kunst is a reference to the Nazis' degenerate art exhibit.

HELL OF SWALLOWED?! is the title of a series of snake vore hentai doujins. (I will not be linking to this.)

The title of Part I, Nothing to Nothing, is a reference to a quote from King Lear: "Nothing will come of nothing: speak again." Part III, End of History, is a reference to the 1991 essay by Francis Fukuyama.

While not exactly a reference, "Teatime witches who sneer at the uninitiated" is meant to evoke Umineko.

"Trees part; an idol emerges: She" evokes She by H. Rider Haggard, and more specifically the reference to She in Stephen King's Misery.

"Scrape of the cane" is modeled on the Homestuck song Swing of the Clock.

"Welcome to a land of magic" is a slightly altered quote from the first volume of Magical Girl Raising Project (more on that later this ask); the actual quote is "Welcome to a world of dreams and magic."

Other references, like those to Persephone or the Soviet Union, are probably well known enough to not require a gloss.

2. Two reasons. First, Fargo was set in 2013, the height of the Williston shale oil boom that is central to Fargo's first arc. (I also started writing Fargo in 2015, when 2013 was close enough that it basically seemed like the same time period.) Chicago is set immediately after Fargo, and even has some returning characters like Cicero. If I really wanted to, I probably could have stretched Chicago's setting to the Trump era, but the second reason I didn't was to give it some political distance from the Trump administration. Chicago is in many ways a product of the Trump years, but I didn't want the story to get bogged down in the swamplike minutiae of Donald Trump himself, and all the very charged political and aesthetic associations he carries. There's a reason there wasn't a single good Trump parody made during the time Trump was actually in office, and I did not consider myself up to the task of changing that trend. Beyond just that, there's something archetypally "presidential" about Barack Obama from a purely aesthetic standpoint that makes him a fitting stand-in for the United States political system as a whole. If the final chapter of Chicago involved Donald Trump giving a "return to normalcy" speech instead of Barack Obama, it would be a far different vibe, regardless of how you feel about either of those figures politically. (Also, throughout the entire time writing Chicago, I had that video of Obama wielding the Chaos Emeralds in my mind.)

3. I'm a major fan of Magical Girl Raising Project. I even wrote an essay that compared it to Madoka Magica. I am fully caught up on the series and own every book, as my updated magical girl shelf shows:

I got into the series through the anime, which adapts the first book in the series plus some side material from the fourth book, and I got into the rest of the series through my friend PlatFleece, who did a bunch of fan translations of the books before Yen Press made official releases. I actually really love the anime, though it's in some ways not fully indicative of the rest of the series. The anime is basically a magical girl battle royale, and it's one of the few battle royales that actually understands the core appeal of the genre. I'm totally annoyed by fake battle royales like Hunger Games or Mirai Nikki that are, in actuality, simply a series of challenges for the main character to overcome, with side characters virtually not mattering beyond their interactions with the lead. To me, a true battle royale should be an ensemble, and one that really surprises you with which characters die and in which order; any battle royale that follows a typical progression of killing off characters in order of irrelevance is a complete failure of the genre. The anime of Magical Girl Raising Project is excellent at not only surprisingly killing off major-seeming characters early on, but also having seeming cannon fodder characters make deep runs with unexpected impact on the whole affair. That's exactly what a battle royale should be like.

What's impressive about Magical Girl Raising Project as a series is how it continually reinvents itself with each arc. The first arc is a battle royale, the second arc is a murder mystery, the third arc is a season of 24 (this is the best arc, and the one I took the Cleveland Quixotic chapter title from), the fourth arc is a survival horror, and so on. And over the course of these arcs, the series gradually develops this fascinating world that is kafkaesque and bureaucratic in nature, with a labyrinthine magical girl government divided into endless departments and political factions. Magical Girl Raising Project is unique among dark magical girl series in that there is nothing innately bad about being a magical girl; you're not doomed to die like in Madoka or punished for using your powers like in Site or Yuuki Yuna. Being a magical girl gives you no-downsides superpowers and even increases your lifespan (there are some characters who have been alive since Victorian England), and the government's intended purpose for creating magical girls is simply to help people. The series is interesting in how it indicates spectacular consequences of fairly humdrum bureaucracies and political systems acquiring the power of magical girls; most conflicts, especially from the third arc on, are caused by government factions playing chess games for power, and most of the recurring antagonists originally sought to reform the government before themselves getting mired in and corrupted by its political games.

Of course, it's also a character meat grinder, fully willing to kill off characters both minor and major, even load bearing characters who drastically warp the status quo via their absence, and that's something else I really like. There's a hilarious tug of war between the series' author and illustrator, the former writing the story before the character designs have been created, and the latter consistently giving some of the best and most interesting designs to the characters who get axed first.

It's unfortunate the series isn't more popular and got really unfairly kicked into the "Madoka Magica ripoff" bucket by undiscerning critics (it's really nothing like Madoka beyond the basic idea of dark magical girls). Chicago is in many ways a stealth Magical Girl Raising Project fanfic, with its focus on government and bureaucracy, as well as its "harder" magic system. Even Clownmuffle's name is very MagiPro-esque.

4. I'm already hard at work on 1 Over X, my next story. Yesterday I finished the rough draft of my outline for it, so I will probably start writing within a month or so. It's a horror story set at an elite all girls boarding school in New England, where the richest of the rich attend. The story begins as four girls sneak out of the school to attend a Halloween party...

#bavitz #cockatiel x chameleon #chicago #magical girl raising project #magipro #mgrp #1 over x #cindersfall

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dapg-otmebytheballs · 1 year ago

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Call for Submissions for Phanatic Phanzine

Opening up submissions for the Phanatic Phanzine! 🥳Calling upon phandom members, new and old, to share their love for Dan and Phil!

We survived the Dan and Phil hiatus, and all we're making is this zine 🌈

The Phanatic Phanzine is a fanzine project created by myself and @aaaaaaaaa-no to celebrate the Dan and Phil content and fandom revival we are seeing. This will be a digital zine including artwork, fanvid tributes, poetry, and personal stories of the space DnP hold in our lives!

The plan is to compile these fan efforts into a digital zine by Christmas '23 and present it to DnP as a gift. 🎀

Since we intend to share it with dnp we will not be taking fanfic or NSFW submissions but we intend to do another zine in the future for the fans celebrating the fandom itself so look out for that one!

Submit at [email protected]

Deadline: 24th December 2023 GMT

Guidelines under the cut

General guidelines

The submissions will be screened for anything NSFW, and no fanfiction is being accepted. Likewise, please be mindful of the language used in written pieces. All submissions will be entertained in good faith.

📌We are also accepting written submissions and links through asks and DMs

We are accepting submissions in the form of artworks, fanvids, written personal accounts, and poetry. You may submit any of the media above but please keep in mind that we will only be accepting five artworks, two fanvids, one written personal account and three poems per person.

Submissions are to be sent to the email id provided above. Please add the name you wish to be credited with + any social media links to add, or specify if you would like your submission to be anonymous

Al generated content will not be a part of this zine

Any doubts or questions can be cleared via asks or messages on Tumblr, to either me or @aaaaaaaaa-no feel free to ask!

Specific guidelines:

For artwork:

Artwork can be digital, traditional, or mixed media

Submissions must be in the email attachment in jpg or png format

Old fanworks that have already been posted are allowed. For new works, please try to not post the full piece (wips okay) till the zine is released!

No more than 5 works per person

For poetry and personal accounts:

Word limit of 1000 words at most. Short notes with lower word count are more than welcome

All written submissions must be in a word or Google document, or written in the body of an email.

Anything posted elsewhere is allowed

No more than 1 personal account and 3 poems per person

For fanvids:

The video must be uploaded as an unlisted video on YouTube or similar video-sharing platforms. Videos that are already posted are allowed as well

Video links and a thumbnail in png or jpg format are to be submitted. The links will be converted to QR codes to present on the digital zine alongside the thumbnail You will be notified via email a few days before the zine is released so the videos can be made public in case they are currently unlisted

Shipping videos are not allowed for this zine, please be mindful of the same

No more than 2 fanvids per person

Adherence to the guidelines will make sorting much easier for the compilers so please try to do so!

To reiterate: even if you send in content that we cannot use we will engage with you in good faith 🌸

Please don’t be disheartened if your piece doesn’t make it! We plan to start work on a fanzine exclusively for the fandom (by and for the fans) soon which will allow content disallowed for this zine, so look out for that!😁

Help us spread this to others who may be interested!

We look forward to all your submissions💫

#dnp #dan and phil #phandom #dnpgames #dan and phil games #phanart #phil lester #dan howell #amazingphil #danisnotonfire #phan #phanatic phanzine

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packet-of-staples · 1 year ago

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Hey hey hey! I've said this on twitter but I'll explain my rules regarding how people can use my Art here. I can go into a little more detail.

Alright so this is mainly in regards to like comic dubs and profile pictures and the like so here we go.

What you can do!! And I also encourage :]:

- Make comic dubs of my works! So long as you clearly credit and link me that's absolutely fine!! Also make sure to tag me in some way so I can watch it too!!! I would love to see them.

- Use my Artwork as your profile picture! Seeing my Art in people's pfps literally makes me squeal and kick my legs with joy. As long as you credit me in your bio you are free to do so! (I suppose this also extends to banners? Go ahead! Same rules apply)

- Now this is the only time I'll say this, and this is the only context I'll allow it. You may edit my work ONLY if it is to be used for a profile picture. You can add hearts or flags or text to my work ONLY if you use it as your pfp, that's it. Otherwise just the pfp rules apply.

- Oh!! I thought of something else! If you want to use my art in edits or.. are they called fancams now? Whatever, you can! So long as you credit me in someway in the video itself.

- Oh yes! If you want to draw my designs for anything go right ahead! This could be my Outertale Mew Mew, DR Asriel, Knight Papyrus etc. I would love to see your silly drawings! Make sure to tag me so I can see :]!!

Alright so now onto the things I dont want done with my art:

- Reposting it to other social media sites. You know those instagram accounts that mass repost artwork? Yeah, I hate those and I dont want my work reposted. I seriously believe those accounts do not help artists and if I see my Art reposted I will ask you to take it down.

- Editing my work. With the exclusion of the pfp rule or if I have explicitly said it can be edited, do not edit my work in any way. Especially if it's being changed to be nsfw or offensive in anyway. Idk if people do this but I thought I'd cover my bases. Dont do this.

- I think this should go without saying, and I doubt there are any actual techbros on here but again, covering my bases. Do not use my work for NFTs or AI Art. Just don't do it. Nuff said.

Alright I think that's it. Please consider these boundaries if you're going to use my work 🙏. Thank you and I give you all a little kiss.

#I'll pin this so people can find it easily #I've made this post cause a hand full of people asked about dubbing and I thought I'd make a blanket statement so people didn't need to ask #Anyways have fun!!!#i may add more if there are any other boundries I think are important

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enlightenedrobot · 9 months ago

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So here’s a project I’ve not advertised at all. No Requests: Live! From the Tavern is an Adult focused Edutainment series focused on discussing Art, Music, and Media. Each episode is broken up into segments that work together in a playlist including various other videos on Youtube. This means Music Videos, short films, and other video essays, curated together with extra commentary from the host of the show, Tavern Barz.

That’s a weird and unnecessarily complicated format, why are you doing this?

It’s really easy in this day and age to use Youtube videos as a replacement for other content. I mean, why watch a two hour movie when you can watch a 20 minute recap?

This is a bad habit. Critique is important aspect to a good media diet, but a diet consisting solely of critique misses the point completely. In order to talk about media, we must also experience it.

This format means we don’t directly compete with the art featured. Rather, Tavern Barz acts as a museum curator, and the other media in the playlists serve as the actual art itself. The original videos will get their view, and… as a nice little bonus, I get to avoid the copyright bots.

Why are you using a cartoon?

I mean, I’m an animator. I don’t know what else to tell you. Why does the Chocolate guy use chocolate when clay will last longer?

But also, I don’t really have any desire to host the show as myself. There’s a hundred and ten other Youtubers who will get on camera to talk about stuff, and like, I don’t have the room for that.

Besides, Tavern is a character distinct from me. As a writer, I have full control over the narrative I want to tell, and placing myself in the center of that just feels weird. Tavern’s allowed to act and be weird and hypocritical. Tavern is allowed to grow as a character in ways you can’t really depict through the lens of literal documentary filmmaking.

So that Cyclops character isn’t just your rantsona vtuber avatar?

I mean, in a very literal sense, Tavern is a Vtuber. They are a virtual character serving as the host for a real show on Youtube.

But Tavern’s also an OC with lore and a planned Story Arc. The pilot is admittedly pretty bare bones with all this, but I intent to incorporate more story elements as the series goes on.

Alright, so what’s the lore then?

Tavern Barz is the Cycloptic owner of the Tavern Barz Tavern, a fifth dimensional divebar thar exists all across Time and Space. After several eternities of service, Tavern thinks they know it all.

This is not true.

Is this project family friendly?

Not really. The main character is a bartender, so there's a lot of alcohol focus. Plus, a lot of the featured videos will also contain plenty of adult themes.

The pilot is pretty mild. There's some swearing, but nothing too serious. But the non original videos might have adult themes. I have some later episodes planned, including one focused on The Male Gaze, and in those cases, I can't in good conscience recommend these videos to minors.

All in all, I like to call the tone of the project comfortably adult. I'm not going out of my way to be edgy, but I'm also not censoring myself. If this were an actual TV series, it's probably be TV-14. Edgier than the Simpsons, not as edgy as Rick and Morty, so about the level of Futurama.

When will this project release?

April, 2024. As of the time of this writing, the first episode is basically finished except for the credits, but I also need sometime to compile my sources, write descriptions, and make some thumbnails, as well as advertise the project.

Follow Me on this Account if you wanna keep up with the project. You can also see my other links at https://norequestslive.carrd.co/

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itsoxyymoronn · 1 year ago

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i'd like to disclaim i have only read the first hunger games book and around half of the second, so my opinions and personal analysis are mainly skewed towards the movies. also spoilers for TBOSAS (duh). also this is all kind of a rushed non-edited theory, and probably needs more detail. ill probably edit here and there, so i'd love to hear any thoughts!

after seeing The Ballad of Songbirds and Snakes last night, honestly what has been on my mind a lot was if the love between lucy gray and snow was real, and from that it felt it could only be answered by whether snow was inherently evil or he became evil.

the easiest answer feels to be that he was always purely selfish and lacked a great deal of empathy. all things seemed to point to that, but one thing that always threw a wrench in that idea for me was the scene where snow breaks down crying after looking in sejanus' storage. i think this scene is particularly important because by panem standards he did the correct thing. his friend was a rebel and he reported it. by panem's standards, he shouldn't feel guilty, and yet he still does. this seems to indicate some sort of moral compass in him.

i guess then the question leads to why snow became so evil. i think it is a combination of inherent self-serving traits and the environment he was raised in. i think a key concept here is "explanation, not excuse", which i learned from a video essay by Trope Anatomy in regards to Cassie Howard (link below). experiencing war and hardship at such a young age and later growing up around negative influences, such as Dr. Gaul and really all of the capitol itself, shaped his worldview and are direct factors that lead him to make the decisions he does. it doesn't excuse them though. his upbringing didn't force him to make these terrible choices, they only gave him more reason to. yet he still could've chosen to be good, as people like sejanus did.

him becoming pure evil in the end felt like a defense mechanism to cope with his own guilt. an incredibly messed up and extreme one at that. i think in the end his distain for the districts and their people doesn't come solely from them being "district" (although that definitely has something to do with his hatred) but rather them being people. dr. gaul taught him humans are all destined to show their true, evil nature, and this snow did. i think continuing the games was a way of proving to himself again and again that it was not just him that was evil, but all humans. it probably soothed the guilt within him.

while he may not have began as pure evil, he did become it. he's evil, full stop. he can't be redeemed. but i think TBOSAS gives us reason as to why he is like this. and while it may have been easy to view snow as forever and always evil, i believe in a way snow having this agency and development into cruelty just makes him all the more evil because it shows he DID have a choice, and chose evil. a great Screen Rant quote that really made me start thinking about this is "the overarching antagonist of the Hunger Games [is] Panem, not Snow" (link below).

SOURCES:

Trope Anatomy: Freudian Cassie: How Far an Excuse Can Go

youtube

Screen Rant: Ballad Of Songbirds & Snakes Changes How You See Snow (But He’s Still Evil) https://screenrant.com/ballad-songbirds-snakes-president-snow-changes-evil/#:~:text=Still%2C%20the%20purpose%20behind%20Suzanne,Games%20as%20Panem%2C%20not%20Snow.

GIF credit is linked in GIF.

#the ballad of songbirds and snakes #thg #coriolanus snow #tbosas #corio snow #coryo snow #sejanus plinth #lucy gray baird #snowbaird #thg series #tigris snow #panem #hunger games #suzanne collins

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detailtilted · 11 months ago

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CHICON 2007 - Enhanced Edition of Jared's Solo Panel - *COMPLETE* Video! (Repost)

youtube

Direct link.

This is the full video of Jared's panel at the Chicago 2007 convention. Jensen shows up at the end of the video with a small surprise for Jared.

There are some funny moments here! There's also one part where I didn't agree with what the fan at the mic said at all, but I included a brief episode clip so you can decide for yourselves. I'd love to hear what you think about that part or about any other part. I welcome private messages if you prefer that.

“I’ve seen this before – WHY are you posting it again?! STTTTOOOOPPPPPP!!”

Please forgive me if you already saw this last week. I will not repost it again. I was an idiot and used the same thumbnail on both the sample video and the full video, and then reblogs of the earlier sample video took off unexpectedly around the time I posted the full video. I think some people didn't realize the full video was a new one because it looked the same. I’ve now changed the thumbnail, but you might still see the old one if it's cached in your browser, so it might be too little too late. I reblogged my original post once, but reblogs don’t show up in the tags and my blog doesn't have much visibility by itself and Friday night probably wasn't the best time to do it. I think something like two people saw my reblog, but I very much appreciate you! :)

Normally I'd have just assumed people are less interested in Jared’s video for whatever reason and I’d have been disappointed, but I would have moved on because people like what they like and beating them over the head with something they don't like will only make it more annoying. The reason I had trouble letting this go is because Jared’s sample video got twice as many views as Jensen’s sample did, but Jared's full video only got a quarter as many views as Jensen’s full video. So I feel like the interest is there, but I screwed it up. And as silly as it must sound, I’m feeling horribly guilty that Jared’s video might not have gotten as much attention as he deserves because of my bad choices.

(If this project doesn't interest you and you'd rather not see these posts, I’m including “enhanced edition con video” in the tags for each post, so you could filter that out if you’d like.)

What's Next?

I do have the main J2 panel nearly done and I plan to post the full video next week. I decided not to post a sample of it ahead of time, for fear of recreating the same issue I was just lamenting. I really liked the idea of posting samples, but I’m afraid it’s just too confusing and does more harm than good. I'm definitely open to suggestions, though.

Some background if you haven't seen these posts before:

I'm slowly making "enhanced edition" videos of old con videos. You can find much more detail about this project along with an index of other released videos in this post. The project is still young, but there are now 3 full-length videos available.

The source videos are not my own; credit and links are in the video descriptions. I'm editing multiple videos from the same panel together into a single video. I'm upscaling the video quality as best I can, with varying levels of success. I'm adding extra content to add clarity about the things they discuss. I'm adding good, color-coded English subtitles to help with understanding the sometimes chaotic audio.

#jared padalecki #jensen ackles #j2 #sam winchester #dean winchester #supernatural #enhanced edition con video #chicon 2007 #chicon #Youtube

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